Analysis of the Daily Mirror Murderer Stories

Newspapers

  • clear example ideological bias by the producers of the DM
  • lexis of ISIS maniac has clear connotations of fear and depravity, constructing a terrifying mode of address for the target audience
  • startling difference between the lexis of 'angelic boy' which has connotations of heaven, victimhood and innocence
  • clear binary opposition between the Islamic faith and Christianity
  • utilisation of the term ' angelic' creates an uncomfortable binary opposition with crimes of the so-called angelic boy
  • 'ISIS maniac' VS 'far right'. The term maniac is extremely specific and leading, while the term 'far right' potentially has many connotations
  • Lexis of 'grew into' suggests that the angelic boy lacks any guilt as it is simply not his fault
  • Anchorage of boy being held in fathers arm could either connote corruption by a family member, or simply belief that someone so angelic could do such a thing
  • symbolic connotations of blonde, long hair includes innocence, purity and being like an angel. This is a clear and straightforward example of stereotyping, and reinforces a hegemonic hierarchy with white people at the top and non-white people beneath them
  • bias through selection: the main image is of the 'far-right' killer as an objectively sweet little boy constructs a narrative where an innocent boy has been left astray
    • could this be to create fear or panic? The idea that even a sweet (white) innocent boy could be led astray
    • or could this be to construct a compelling narrative to a white, Christian working class audience
  • a belief in good and evil allows audiences to derive meaning from life and this Daily Mirror article reinforces the ideas of good and evil
  • the ISIS killer is represented through a picture clearly taken from social media
  • an image has been selected that presents the killer as being smug, conceited and self obsessed. His facial expressions reflect self-confidence, and his pose suggests he is vainly checking himself out
  • his all black clothes have connotations of darkness and evil. He is looking away from the camera and in to the distance
  • the anchorage of the lexis 'ISIS MANIAC' and the ethnicity of the subject combined to construct a straightforward and blunt stereotype of an Asian terrorist
  • he is othered → presented as different and foreign
  • anchorage of '50' anchors the nature of the 'ISIS Maniac' crime. However the number '49' on the 'far-right' killer is considerably smaller
  • Furthermore the US national is not referred to by his nationality which further others him
  • However the 'far-right' killer is referred to as Aussie

Intertextuality - when one media product makes re

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