Woman Magazine: Industry and Audience
What kind of magazine is Woman Magazine?
- sexist
- patriarchal
- working class
- stereotypical
- straightforward
- August 1964
What examples of sexist, straightforward and stereotypical ideologies are evident in the set edition of Women magazine?
- Alfred Hitchcock article uses highly objectifying lexis, such as "they're snow capped volcanoes"
- Hitchcock is given a platform to discuss the merits of women, despite being a sex offender
- "Get the man in your life to..." assumption that grown women are not capable of DIY
- "Are you A-Level beauty?" assumption that the audience must be beautiful, must look young and/ there is only one way to look beautiful
- The Breeze Soap advert uses a highly explicit and sexualised image of hegemonically attractive naked women to sell a product
- Crème Puff advert reinforces the patriarchal ideology that women only wear makeup to attract men
- Double page spread on kitchens reinforces a stereotype that women should stay at home and cook
Magazines and revenue
- approximately a third of a magazines revenue comes from advertising
- the other 2/3rds of revenue typically comes from the cover price
- Woman magazine presents contemporary viewpoints and ideologies that audiences at the time would largely agree with
- however, certain groups in society (e.g second wave feminists) would reject the dominant ideology of Woman. However, their opposition would be considered fringe movement and not mainstream
Stuart Hall - functions of stereotypes
- provides producers a way of targeting audiences
- make life simple and straightforward - having specific gender roles makes life so much more easier to understand
- audiences can use stereotypes to relate to characters, situations and events. It is a shortcut and allows complex narratives to be formed
- funny and useful in making comedy shows
- without stereotypes, fiction would be impossible, as you would instead have to base your text off something real
Brand Identity: how a brand presents itself to its audience; allows magazines to differentiate from each other
Brand Identity
Woman (1964)
- the simplistic mise-en-scene of the lack of models jewellery connotes a working class background
- models smile is friendly and relatable
- model is represented as being comforting and submissive, suggesting the patriarchal ideology of the producer
- stereotypical patriarchal representation
- lots of text, huge font, busy and easy to read
- easy to read masthead practically screams at the audience to buy it
- hegemonically attractive, attainable women
Vogue (1965)
- mise-en-scene of expensive jewellery connotates wealth and power, and the model is clearly belonging to an elite
- the model on vogue is an aspirational model, and is addressing the target audience with a smug and intimidating smirk
- model represented as an active and intimidating character, suggesting a matriarchal ideology?
- challenging, assertive representation
- little text, small font, difficult to read
- difficult to read masthead demonstrates a confidence in the brand identity
- hegemonically beautiful, sexy, individual women
Fact file
- woman magazine published August 1964
- Price is 7d (80p)
- Woman magazine was published by IPC in the mid 1960s. IPC existed as a merger between 3 separate magazine companies in the UK which united Woman with two of its rivals - Woman's Realm and Woman's Own
- This process is called conglomeration, and the process of buying out all of the products in a sector, called a monopoly
- IPC was an example of a horizontally integrated organisation
- Currently, Woman magazine is published in the UK by Future
- IPC formed this merger for the reasons of power and profit, and to eliminate any form of competition
- Woman magazine was the biggest selling Woman's weekly in 1964 with a weekly circulation of 3 million copies
- 12 million copies of Women's weekly magazines were sold weekly in the 60s
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